
ABOUT

Photo By: Lola Scott
Dramatic mezzo-soprano Laura Zahn has been praised for her “warm, voluptuous voice” (Broadway World) “captivating with her powerful delivery” (Operawire). In the 2025-26 season, Ms. Zahn performed Maddalena (Rigoletto) in her mainstage debut with Indianapolis Opera, sang Sea Pictures with the Adelphi Orchestra, and had her solo debut in three oratorios: Beethoven’s 9th Symphony, Rossini’s Stabat Mater, and Bach’s St. John Passion. Next season, she is currently scheduled to sing Ma Moss (The Tender Land) with Park City Opera, Mary (Der fliegende Holländer) with Opera Orlando, and Mozart’s Requiem with both the MidAtlantic Symphony and Southeastern Pennsylvania Symphony Orchestras. Recent seasons saw Laura return to Verdi’s Requiem as the Mezzo-Soprano soloist, cover Dalila (Samson et Dalila) with St. Pete Opera, sing Carmen with New West Symphony, debut the roles of Santuzza (Cavalleria Rusticana) and Romeo (I Capuleti e i Montecchi), and sing Elgar’s Sea Pictures with the Adelphi Orchestra. She also made her Carnegie Hall debut, performing highlights of Amneris (Aida) and Suzuki (Madama Butterfly) and debuted internationally in Hong Kong singing selections from Carmen. An accomplished concert performer, Ms. Zahn has recently been the soloist for Verdi’s Requiem, Dvořák’s Stabat Mater, Handel’s The Messiah, Vivaldi’s Gloria, and Haydn’s Missa Sancti Nicolai. In 2020-21, Ms. Zahn was scheduled to make several debuts including Alto Soloist in a world premiere production of Lori Laitman’s Vedem with Indianapolis Opera, and Eboli (Don Carlo) with Festival of the Aegean in Syros, Greece. These productions were canceled due to the Covid-19 pandemic. Other notable roles Laura has performed include Giulietta di Kelbar (Un giorno di regno), Secretary (The Consul), La frugola (Il Tabarro), Mother (Amahl and the Night Visitors), Dorabella (Cosi fan Tutte), Zita (Gianni Schicchi), Flora (La traviata), Florence Pike (Albert Herring), Mamma Lucia (Cavalleria Rusticana) and Marcellina (Le nozze di Figaro). She has also covered Mistress Quickly (Falstaff), La Zia Principessa (Suor Angelica), Minskwoman (Flight), Mother (The Consul) and The Moll in a world premiere production of The Cradle will Rock. Ms. Zahn holds degrees from The Boston Conservatory and Indiana University’s Jacobs School of Music and has participated in apprenticeships with Indianapolis Opera, The Savannah Voice Festival and spent two seasons with Opera Saratoga. Laura was a Finalist in Opera Mississippi’s 2021 John Alexander National Vocal competition as well as a semi-finalist in the NYIOP/Premiere Opera Foundation Competition and the Mildred Miller International Voice Competition.
In the Press
"The assassin siblings – Sparafucile (bass Andrew Potter) and Maddalena (Laura Zahn)- gave a great lift to production. Potter’s riveting low growls and imposing height and Zahn’s passion and creamy mezzo-soprano added a guilty pleasure to the opera. And when Zahn joined Ohse, Dougherty and Baek for Rigoletto’s defining music moment- the Act III quartet- there was magic in the air."
David Sckolnik, A La Carte Productions
"Laura Zahn as the madam Mother Goose pleasing in voice, acting and presence..."
Vance R. Coven, The Boston Musical Intelligencer
"Though visually young for the loyal retainer Marguerite, Laura Zahn used her rounded mezzo and expressive features memorably"
David Shengold, Opera News
"Both Laura Zahn as Seibel and Karoline Guerin as Marthe Schwerlein sang beautifully...This uber-talented cast was as professionally perfect as any I’ve seen, and I’ve seen a number of operatic performances both locally and at the Metropolitan Opera in New York City."
Timothy David Copney, Md Theater Guide
"Another highpoint was Laura Zahn who sang “My Funny Valentine,”...Standing atop the steps, she appeared deeply reflective, like a silent film actress of the time with a stunning purple dress. Descending until she reached the piano below, she continued singing confidently, briefly resting a hand over her chest for dramatic effect. “Each day is Valentine’s Day,” she softly declared with her concluding lyrics and was then greeted by uproarious applause."
Diego Cagara, SpotlightNews.com
ENGAGEMENTS
2026-2027
Oct
11
5:30pm
Soloist
Cinghiale Osteria
Baltimore, MD
Laura will preform opera and musical theater favorites paired with a four-course Italian dinner for an intimate salon experience

Nov
11
6pm
Norma with the MidAtlantic Philharmonic
Adalgisa
South Orange Performing Arts Center
South Orange, NJ
Laura debuts the role of Adalgisa in a concert co-produced by Seton Hall Classical Concert Series and Alberto Italian Studies Institute

Dec
16
7:30pm
Koger Center
Columbia, SC
Laura will create the role of Leah in Armand Hutton and Karen Chilton's new chamber opera about women of the Charleston Market during the Revolutionary War (made possible by support from South Carolina 250)

Jan
22-24
7pm
Steinmetz Hall
Orlando, FL
Laura debuts the role of Mary and debuts in the Wagnerian repertoire under the baton of Maestro Geoffrey Loff

Feb
6
7:30pm
Mozart's Requiem with the Southeastern Pennsylvania Symphony Orchestra
Mezzo-Soprano Soloist
Calvary Baptist Church
Lansdale, PA
Laura sings the Alto solos in Mozart's Requiem under the baton of maestro Allan Scott

RECORDINGS

Elgar's Sea Pictures with the Adelphi Orchestra

Highlights of Verdi's Requiem with the Emory Symphony
Studio Recordings


Amour! Viens aider ma faiblesse - Samson et Dalila

Acerba voluttà - Adriana Lecouvreur

En vain pour éviter (Card Aria) - Carmen

Nel giardin del bello (Veil song) - Don Carlo
GALLERY
Promotional Photos
Production Photos
REPERTOIRE
Giuseppe Verdi
Aida Amneris NY Dramatic Voices+
Don Carlo Eboli Festival of the Aegean^
Falstaff Mistress Quickly Opera Saratoga*
Il trovatore Azucena NY Dramatic Voices+
La traviata Flora Bervoix Opera Orlando
Pacific Opera Project
Independent Opera
Requiem Alto Soloist Emory Symphony
Masterworks Chorus
St. Paul's Masterworks
Rigoletto Maddalena Indianapolis Opera
Opera Orlando
Bel Cantanti Opera
Un ballo in maschera Ulrica+
Un giorno di regno Giulietta di Kelbar Opera Orlando
Giacamo Puccini
Il tabarro La frugola Angels Vocal Arts
Opera in the Ozarks
Suor Angelica La Zia Principessa MassOpera*
La Zelatrice Angels Vocal Arts
Gianni Schicchi Zita Bel Cantanti Opera
Vincenzo Bellini
Capuleti e i Montecchi Romeo Bel Cantanti Opera
Norma Adalgisa MidAtlantic Phil
Pietro Mascagni
Cavalleria Rusticana Santuzza MidAtlantic Opera Prod.
Festival of the Atlantic*
Mamma Lucia Festival of the Atlantic
Lola Penn Square Opera
Georges Bizet
Carmen Carmen New West Symphony
Camille Saint-Saëns
Samson et Dalila Dalila St. Pete Opera*
Richard Wagner
Flying Dutchman Mary Opera Orlando
Pyotr Ilyich Tchaikovsky
Eugene Onegin Olga Russian Opera Project+
W. A. Mozart
Cosi fan Tutte Dorabella Light Opera of New Jersey
Don Giovanni Donna Elvira Indianapolis Opera*
Southern Opera Theater^
Le Nozze di Figaro Marcellina Bel Cantanti Opera
Gian Carlo Menotti
Amahl Mother Shakespeare Opera
The Consul Mother Opera Saratoga*
Secretary Angels Vocal Arts
*cover ^canceled +role study
VOICE STUDIO
Study with me! As a professional singer, not only in opera but also as a former band member/studio musician, I've had the opportunity to perform internationally, sing at major venues like Carnegie Hall and play festivals like SXSW. This varied background has led me to develop a style of teaching that gives students a foundation in solid bel canto technique, allowing them to find their easiest, most efficient voice. From there we work to hone their technique and vocal placement according to their chosen style and goals. As a result of this approach, my students have successfully auditioned for University music programs, roles in musical theater productions, district/regional/state choruses, and sung at venues across the nation. In addition to my experience working individually with older students, I have conducted Early Childhood Music classes (Musikgarten) for ages 2-6. I love introducing younger children to music and have successfully used the concepts from Musikgarten in private lessons. For younger vocalists, I focus on making simple breathing concepts and vocal exercises fun and interactive. I round out these lessons by developing pitch recognition, rhythm and basic music theory: concepts that will serve them well whether they decide to pursue singing, learn an instrument or just foster a long-term love of music. I also worked for school districts as a Special Education Aide for four years and am comfortable teaching students who may need additional support. I love working with the parents and students to find creative solutions to each student's unique needs. I look forward to working with you and and helping you reach your goals, whatever they might be!

Photo By: Kendra Irene
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Photo By: Lola Scott










































